Amazon and Barnes & Noble collided recently in a fearful clash. A lot of damage was inflicted but predictably the biggest victim was the customer.

The first shot was fired when Amazon acquired e-book rights to a trove of superhero graphic novels from DC Comics. Some one hundred volumes featuring Superman, Batman, Green Lantern, Watchmen and Neil Gaiman’s Sandman were secured to promote Amazon’s newly released tablet, the Kindle Fire.

All well and good – except that Amazon’s e-book rights were exclusive. Meaning that rival Barnes & Noble would be deprived of the right to carry the titles on its Nook e-reader.  B&N could still sell the print editions, however. But that’s a big however. B&N told DC that if they couldn’t have e-book rights they didn’t want anything. Whereupon they pulled the print editions of those DC graphic novels from 1300 stores.

The result was a lose-lose-lose-lose-win situation.  DC lost sales – as well as face for “placing greed over its fans.” in the words of New York Times‘s David Streitfeld. Barnes & Noble lost bookstore and Nook sales too, plus the nose it lost to spite its face.  Customers and fans lost access to the books in Nook (and Sony and Kobo and Apple iPad). And at least one author is unhappy – Neil Gaiman, who was blindsided by Amazon’s ploy. ““I was very excited when I heard that Sandman was coming out as an e-book, but was heartbroken when it was announced that I and my kids won’t have it on our readers.”

It will come as no surprise that the lone winner was Amazon, which nailed the exclusive and got a boost from B&N’s abandonment of the print edition.

This is just the first of many such battles. Says Streitfeld: “As Amazon seeks over the next few years to expand its tablet line, these collisions over content are likely to become routine.”

Details in In a Battle of the E-Readers, Booksellers Spurn Superheroes

Richard Curtis

Lynn Andriani of Publishers Weekly reports that “Fantasy writer Neil Gaiman is writing a new crowd-sourced short story on Twitter. Starting tomorrow at noon EDT, the author—and well-known Twitter fan (@neilhimself)—will Tweet the first line of a new story, and fans can continue it with their own 140-character contributions. BBC Audiobooks America will then compile the contributions—they expect about 1,000—into a short story that will be recorded by a professional narrator. The audiobook will be available for free download at BBCAudiobooksAmerica.com/trade and at iTunes and other audiobook retailers before the end of the year. There are no plans to release the story in print.”

I have a capacious 10 gallon hat that I am prepared to eat if no more than 1,000 fans contribute. I won’t be surprised if the number goes deep into the tens of thousands or even exceeds 100k. This is Neil Gaiman, people!

To participate, fans should follow @BBCAA and Tweet with the hashtag #bbcawdio. Official participation rules and a legal waiver are posted on the BBCAA blog. We suggest you read the legal waiver.

Logical next step – a vook? (Would-be vookster Gaiman pictured at left).

RC

Every Blogger owes a debt of gratitude to newspapers and magazines. This posting relies on original research and reporting performed by Publishers Weekly.

“It crouches near the center of creation. There is no night where it waits. Only the riddle of which terrible dream will set it loose. It beheaded mercy to take possession of that place. It feasts on darkness from the minds of men. No one has ever seen its eyeless face. When it sleeps we know a few moments of peace. But when it breathes again we go down in fire and mate with jackals. It knows our fear. It has our number. It waited for our coming and it will abide long after we have become congealed smoke. It has never heard music, and shows its fangs when we panic. It is the beast of our savage past, hungering today, and waiting patiently for the mortal meal of all our golden tomorrows. It lies waiting.”

This is the “Beast” of the title story of Harlan Ellison’s mind-bending collection of stories. The Beast is a hideous thing that has drawn the madness out of a race of alien beings and infected humanity with it.

Though each story in The Beast that Shouted Love At The Heart Of The World burnishes Ellison’s reputation in yet another coruscating way way, the gem is “A Boy and His Dog”. Ellison continued the story in the graphic novel Vic and Blood . It was the basis of a movie adaptation in 1974, the post-apocalyptic science fiction film of the same name, directed by L. Q. Jones working in collaboration with Ellison.

For a special treat, read Neil Gaiman’s introduction.

RC