William C. Dietz is the best-selling author of more than thirty novels, some of which have been reissued by E-Reads. Recently he was invited by the SFWA (Science Fiction and Fantasy Writers of America) Bulletin to write a bi-monthly column called “Words for Hire,” exploring the world of media tie-ins and novelizations. The articles demystify a fascinating genre and we’re delighted to reprint them as a regular feature in these pages.
RC
******************************
William C. Dietz introduces his third column:

My last two columns were focused on the ultimate source of most tie-in work: the film, television and gaming industries which typically create and produce the properties that novelizations and tie-ins are based on. Now it’s time to consider the publishers who purchase the rights and produce the actual books.
Continue here.

William C. Dietz is the best-selling author of more than thirty novels, some of which have been reissued by E-Reads. Recently he was invited by the SFWA (Science Fiction and Fantasy Writers of America) Bulletin to write a bi-monthly column called “Words for Hire,” exploring the world of media tie-ins and novelizations. The articles demystify a fascinating genre and we’re delighted to reprint them as a regular feature in these pages.
RC
******************************
William C. Dietz introduces his second column:

Traditionally most tie-in novels have been based on movies and television programs. A quick check of the International Association of Media Tie-In Writers (IAMTW) website provides dozens of examples including Maverick, Murder She Wrote, James Bond, Batman, Buffy the Vampire Slayer, Star Trek, STAR WARS, Diagnosis Murder, Highlander and many more. But how do these deals get done? Who initiates them? And how are writers chosen?

In order to answer those questions and more I interviewed two experts and asked them a set of identical questions.

Continue here

William C. Dietz is the best-selling author of more than thirty novels, some of which have been reissued by E-Reads. Recently he was invited by the SFWA (Science Fiction and Fantasy Writers of America) Bulletin to write a bi-monthly column called “Words for Hire,” exploring the world of media tie-ins and novelizations. The articles demystify a fascinating genre and we’re delighted to reprint them as a regular feature in these pages.
RC
******************************
William C. Dietz introduces his first column:

Over the course of these columns I plan to drill down on the business end of work-for-hire by examining the way gaming companies view tie-in novels, the way TV/Film companies approach them, and the important role publishers and agents play in the process. That includes why companies commission tie-ins, what they look for in writers, and how the selection process works.

Continue here