Sony, one of the earliest companies to recognize the future of e-books, has been a retail partner of E-Reads for many years and a solid contributor to the royalty stream of our authors. We hope they will continue to be, but we’re concerned about speculation by Martyn Daniels on the Bookseller Association’s blogsite that the corporation may be getting out of the e-book game. The most visible reason is the $2 billion loss the firm took in the last quarter of 2011 for all of its operations and a projected loss for the year of $2.8 billion.

“Sony once aimed its sights at being a big player in digital publishing,” writes Daniels. “It created its own ebook format,…was an early backer of the ePub format and of course introduced several eInk ereaders. It even entered into one of those ‘exclusive trade deals’ with UK retailer Waterstones. However it failed to deliver the list, did not develop a plausible platform and lost the eInk world to Kindle. Some five years on and how times have changed. Sony were around at the beginning of the digital reading chapter, but this may be one ebook that will remain unfinished and is in danger of slipping from the front list and going out of digital print.”

Daniels’ conclusion? “Its hard to see Sony making a comeback into digital publishing and its offer would require some serious investment and change of fortunes at a time when the business obviously requires to focus on its core operations.”

But Sony has replaced its CEO and we hope the new commander will set the ship on a profitable course once again, including the company’s e-book program.

Are Sony’s Days in E-Books Numbered?

Richard Curtis

Despite the gloomy talk about the death of the book it’s pretty clear that printed books serve an essential function in our culture and will always be with us. For those who greet this statement with skepticism, we reiterate that there is nothing wrong with printed books – just the way they are distributed.

The big difference between the past and the present is that for the first time in history, printed books are optional. The implications of this fact are profound.

Until very recently the only mode for publishers to introduce content was print.  Printed books defined publishers. With the advent of digital technology, however, a new breed of publisher arose that can if it chooses publish a book originally in digital format and postpone the print edition or skip it altogether.  Well into the present decade traditional publishers like Random House and Simon & Schuster and Macmillan clung to the imperative to issue print volumes before releasing them as e-books.  Eventually they yielded to the exigency of releasing the e-book simultaneously with their print edition.  Issuing e-books without having to do print editions at all, however, is not a measure to be taken lightly.

One reason is commercial. Original e-books put traditional publishers at a serious competitive disadvantage. Whereas those houses currently pay 25% net royalty to authors, most independent e-book publishers pay at least twice that much, and self-published authors can get as much as 70% royalty by direct uploading of their content. The Hachettes and Harpers and Penguins can reason that they are adding value and brand-name prestige, but that argument doesn’t hold water for many authors who are simply in the game for money.

More significantly, by electing not to print a book at all, these so-called legacy publishers put themselves in danger of losing the very thing that defines them. What profiteth a publisher to gain the world and lose its soul? Today Random House is a completely different species from independent e-book publishers like Open Road.  But by becoming a pure e-book publisher, the playing field is leveled, and the difference between Random House and Open Road becomes simply one of scale.

When we talk about the death of printed books we are really talking about the death of printed books distributed in bookstores.  With the death of a Borders and the announced reduction of Barnes & Noble’s  bookstore floor space by 25%, print on demand, a business model that does not depend on store sales or the returnability of books the way traditional bookstores do, increasingly becomes an option. If publishers elect POD for all their books they will not only continue to make money from printed books but could potentially rescue their identities, and maybe their souls as well.

Richard Curtis

Josh Sternberg of digitday.com reminds us that NewsCorp’s news app, The Daily, celebrates its first birthday this week, and after one year it’s not just viable but a growing commercial success in an Internet environment hostile to the publication’s business model: subscription.  Yet it has a quarter of a million monthly readers and 100,000 paid subscribers.

Though (full disclosure) my son is a reporter for The Daily, my enthusiasm for the app is completely independent.  I just happen to think it’s terrific. But don’t take my word for it – it’s the iPad’s third most popular app.

Though The Daily started out as a dedicated iPad application, it is now accessible on Android, but the eye-popping graphics play best on the iPad’s big bright touchcreen. Some fairly heavy-hitting advertisers like Verizon, IBM and BMW display their wares there.

“I think it is the future of print,” digitday quotes a media executive, an odd description since there isn’t a single drop of printer’s ink associated with the publication.  But that’s just the point: it delivers all the news, culture and entertainment of a printed newspaper or magazine, but the videos, popups, callouts and other dazzling graphics are exactly what the iPad was created for. If you don’t have one, borrow it, download a two-week free subscription and see for yourself.

By the way, I have dubbed The Daily a “zapp” – drawn from “news app” the way “blog” is derived from “web log”. I believe this term may be original with me and if it achieves wide circulation and enters the English language (Oxford English Dictionary are you listening?) I hope Rupert Murdoch will reward me liberally, or at least recognize me with an asterisked footnote in one of his, um, papers.

The Daily After One Year: Some Lessons Learned

Richard Curtis

The latest statistics tell us more kids are reading e-books.  But the progress bar has not advanced nearly as far as prognosticators expected or manufacturers hoped.  A Bowker executive, addressing a recent Digital Book World conference, reported on findings culled from a survey of about 1,000 teens and some 2,000 parents and caregivers of young children.  Among older kids, 19% have tried e-books but only 6% read them witn any regularity. As for younger ones, only 25% of parents even own an e-book reader.  Among children 7 to 12 only 13% read on e-readers and 11% on tablets.

Is that a bad thing?  Not necessarily.  Though more and more adults are adopting digital reading habits, they are encouraging their kids to read print books and in fact promoting something akin to Luddism, such as sending them to schools where no digital devices are to be found (see High-Tech Kids in No-Tech Schools).  At bedtime they will put their Nook or Kindle down and go into their child’s bedroom to read a print-book bedtime story. So  when it comes to e-books it’s a matter of Do as I say, not as I do. And though picture book apps, including stories that “tell” themselves without parents present, are great fun, they just don’t seem to have the same appeal as the warm body and familiar voice of mommy or daddy.

Schools and libraries do not seem to be tripping over themselves to promote e-reading either. One good reason is that the children’s print business is one of the few sectors of the publishing industry that are thriving, so there is a strong financial incentive for publishers to maintain the p-book status quo.

But children form their own opinions about e-books and many reject them for very practical reasons. Because mobile phones are the device of choice for teens, the small screen size and short battery life are deterrents to e-reading.  The price of e-readers is prohibitive for many kids, who get along fine with borrowing books from the library or from each other.  And speaking of borrowing, DRM restrictions on sharing e-books is another dampening factor for teens, just as it is for adults.

For years we have expressed skepticism that, due to their high distraction quotient, screens are the best medium for young readers (see The Medium is the Screen, the Message is Distraction), and (with the exception of autistic children), there has been little recent evidence to the contrary.   In a recent New York Times article, K, J. Dell’Antonia reported an observation by Lisa Guernsey of the New America Foundation’s Early Education Initiative that “when we read with a child on an e-reader, we may actually impede our child’s ability to learn.”

“Children sitting with a parent while an e-reader reads to them, Dell’Antonia writes, “understand significantly less of what’s read than those hearing a parent read. Researchers at Temple University, where the study was done, noted that parents reading books aloud regularly asked children questions about the book: ‘What do you think will happen next?’ Parents sitting with the child while a device read to them (like a LeapPad or some iPad apps) didn’t ask these questions, or relate images or incidents in the book to the child’s real life. Instead, their conversation was focused on how to use the device: ‘Careful! Push here. Hold it this way.’” (Details in Why Books Are Better than e-Books for Children)

Does that mean that the next generation will reject e-books?  Not likely.  But as research develops about the reading habits and learning and retention of children using e-books, we may see a greater balance between electronic and printed books than the e-fatuation that has us in its grips today. If we don’t – well, see Digital Distractions Producing a Nation of Morons?

Richard Curtis

Why can’t an e-book be more like a book?  People have tried to make it look like a book, sound like a book , autograph like a book and even smell like a book (See Aerosol Makes Your Nook Smell Like Crunchy Bacon). Now someone has come up with a way to make e-books feel like books.

KAIST Institute of Information Technology Convergence has applied for a patent for its Smart E-Book Interface. “The interface uses the private Apple API for the page flip,” writes Kelly Hodgkins on tuaw.com, “and turns it upside down and inside out. Not only do you get a beautiful page flip like the one in iBooks, you also get page flipping that lets you scan 20 or 30 pages at a time, multiple page flips that are controlled by the speed of your finger swipe, and a way to hold your thumb on one page and flip through the book with your fingers. You can see it in action in the video below to marvel at how the interface mimics the way most people flip the pages of a softcover book.”  Below is a cool demo of the interface.

What the interface seems perfectly suited for is boring books that you just want flip through in big chunks.

Is there any e-book that incorporates all the book-like sensory experiences in a single device?  The only one we can think of is the Flopatronic Fleeber. Check it out.

Richard Curtis

They say you shouldn’t look to closely at how laws and sausages are made. To that short list we have to add many modern conveniences and appliances. Among these are tablets and e-book readers. Evidence is mounting that beneath their glossy screens are disturbing tales of labor abuse, exploitation of the poor, and dumping of toxic waste on helpless communities far from our shores. People are getting hurt and sick and some of them are dying  just so that we can read conveniently on a digital device. “We’re all so dazzled by our new digital toys.” we wrote last fall, “that we’d rather not think about these tragedies.”

A number of recent exposés have penetrated the slick surface of electronic appliances and the revelations are pretty sickening. The New York Times‘s David Barboza reported on environmental abuses perpetrated by e-book and tablet manufacturers, and in particular Apple.

We have cited what happens to your Kindle, Nook, or iPad when the next generation of e-readers replaced them. “If what’s happening in Europe is any guideline,” we wrote “it will end up in a toxic e-waste landfill in Asia and Africa where the destitute, many of them children, will scavenge it for scrap. These scavengers incur horrifying and often fatal skin, lung, intestinal and reproductive organ ailments from the plastics, metals and gases that go into discarded cell phones, televisions, computers, keyboards, monitors, cables and similar e-scrap.” (See Getting Rid of E-Trash? Dump it on Asia’s Poor)

Just as we think more greenly about energy, it’s time to Think Green about our e-books.  Under pressure from investigative journalists, the secretive Apple corporation has for the first time made available its records concerning its suppliers, and the revelations confirm concerns about the company’s labor practices.  Apple audits, as Nick Winfield and Charles Duhigg reported in the New York Times, “revealed that 93 supplier facilities had records indicating that over half of workers exceeded a 60-hour weekly working limit. Apple said 108 facilities did not pay proper overtime as required by law. In 15 facilities, Apple found foreign contract workers who had paid excessive recruitment fees to labor agencies.And though Apple said it mandated changes at those suppliers, and some showed improvements, in aggregate, many types of lapses remained at general levels that have persisted for years.”

Though this was a good start, labor industry critics didn’t feel Apple’s “supplier responsibility progress report” went far enough, as some of the suppliers,  particularly subcontractors, were not easy to trace, and inadequate measures had been taken to regulate the either contractors or subcontractors. “In the last two years at companies supplying services to Apple, “the Times reporters state, “137 employees were seriously injured after cleaning iPad screens with n-hexane, a toxic chemical that can cause nerve damage and paralysis; numerous workers have committed suicide, or fallen or jumped from buildings in a manner suggesting suicide attempts; and in two separate explosions caused by dust from polishing iPad cases, four were killed and 77 injured.”

To its credit, Apple conducted many more audits in 2011 than previously, resulting in fewer violations, and joined the Fair Labor Association in an initiative to improve conditions for its workers.

Though Apple has taken the brunt of criticism, it is by no means the only manufacturer whose labor practices and environmental controls need to be examined. If similar problems are discovered at the factories where Kindles, Nooks, Sonys and other reading and computing devices are manufactured or where superannuated models are disposed of, the industry must take care of them and include the costs in their price structures even if it means that we have to pay more for our e-book readers.

Read Apple Lists Its Suppliers for 1st Time by Nick Winfield and Charles Duhigg.

Richard Curtis

In a much-anticipated press event, Apple today introduced a textbook app it calls iBooks2. The company described it as an educational tool and, given how quickly and completely kids take to the iPad, it may well crack open the e-textbook market in a way that all prior efforts failed to. (See Surprise: Students Prefer Print Textbooks.)

One significant feature of iBooks2 is that it enables students to create their own books, enhance them with pictures, music, movies, videos, and texts from other sources and publish them, thus “inspiring kids to want to discover and want to learn,” as the Apple executive put it.

All well and good.  But isn’t it likely that the pictures, music, movies, videos, and texts from other sources published in these books will belong to somebody else?

These books will be published, uploaded into the iBooks store and sold there.  Unless the authors clear the rights to that content, such sales may be infringements of someone’s copyrights and Apple will be faced with the same kind of spamming that Kindle is combating.

Apple has the obligation to review the content it posts on the iPad and make sure that it does not infringe on the copyrights of others.  Will Apple have the time and manpower to police countless books and vooks, texts and theses? Not likely.  But surely they will not risk incurring liability for selling stolen goods.

If kids want to discover and learn, then the most important educational tool Apple could offer, as an adjunct to its iBooks2, is a primer on copyright. If Apple doesn’t instruct users on that fundamental legal principle, it will need to create an app for defending itself and its authors against copyright infringement lawsuits.

Richard Curtis

Saint Petersburg, Home of Ali Baba, Floppy and the Rest of the Koobface Gang

St. Petersburg, Russia, is one of the world’s most exquisite cities, a spectacular treasure trove of palaces, parks, monuments and churches and, above all, the incomparable Hermitage museum.  If you’re visiting and have a bit of time drop by to say hello to the Koobface Gang, the quintet of computer criminals who live like pashas in plain sight, making St. Petersburg their haven under the gracious indifference of the nation that hosts them.

Riva Richmond, writing in the New York Times, reports that “Five men believed to be responsible for spreading a notorious computer worm on Facebook and other social networks — and pocketing several million dollars from online schemes — are hiding in plain sight in St. Petersburg, Russia, according to investigators at Facebook and several independent computer security researchers. The men live comfortable lives in St. Petersburg — and have frolicked on luxury vacations in places like Monte Carlo, Bali and, earlier this month, Turkey, according to photographs posted on social network sites — even though their identities have been known for years to Facebook, computer security investigators and law enforcement officials.” They post pictures of themselves on the Foursquare network and tweet to the world about it, simultaneously thumbing their noses and rubbing their knuckles in our eyes.

For years the conspirators have seduced suckers into clicking on tempting videos, initiating a malware transfer that eventuates in the purchase of phony antivirus software. It is estimated that their poison packages occupy as many as 800,000 computers and their racket pockets at least $2 million a year.

Yet, despite the fact that their names are publicly known, “None of the men have been charged with a crime and no law enforcement agencies have confirmed they are under investigation,” says Richmond, who lists them by their real names and their cutesy nicknames.

How do they get away with it, and can anything be done to put a halt to their predations?  Read Web Gang Operating in the Open

Richard Curtis

For a complete archive of articles about piracy, check out Pirate Central on the E-Reads website.

Did we get your attention, grammarians? We hope so, because this story is about apostrophes.

It seems that the new head of Waterstone’s, the British bookshop chain, has dropped the possessive apostrophe because Digital Age rules prohibit that punctuation mark in domain names.  “Waterstone’s,” the Telegraph reports, “will become plain old Waterstones.” Worse, it will become waterstones, with a lower case w.

Punctuation, like puppies, has fanatic defenders in Britannia, and the apostrophe is no exception. John Richards, who is swear-to-God chairman of an organization called the Apostrophe Protection Society, characterized the change as “slapdash”. Take that, you miserable barbarians!

Waterstones ditches apostrophe

Richard Curtis

“Amazon, Gmail, I’ve seen all sorts of shopping, I’ve seen eBay. You name it, I’ve seen it,” says Dr. Stephen Luczycki.

What has Dr. Luczycki, a medical director in a surgical intensive care unit, seen?  He’s seen doctors, nurses and technicians in operating rooms using their smartphones and computers to text their friends, check their emails, and bid on eBay while a surgery was in progress. “This phenomenon has set off an intensifying discussion at hospitals and medical schools about a problem perhaps best described as ‘distracted doctoring’,” writes Matt Richtel in the New York Times.  “My gut feeling is lives are in danger,” says another doctor who wrote a recent article about “electronic distraction” in a medical journal.

A few days after writing about electronic distraction in the operating room, Richtel turned his attention to the growing national debate over phone addiction in automobiles, a growing cause of death, maiming and mayhem on the road. At any give moment, a study discloses,  660,000 drivers are holding phones to their ears.

These are but a few symptoms of a troubling decline in the attention span of our populace. We have become a distracted society, and what should be of deep concern to parents and educators is the effect that this collective malaise is having on our children. If adults cannot handle their media addiction, why would anyone think that children can? There is evidence that they can’t.

One significant manifestation is the glorification of computer screens as an educational tool. Gloria Mark, a University of California professor who studies human-computer interaction, notes that “people are continually distracted when working with digital information. They switch simple activities an average of every three minutes (e.g. reading email or IM) and switch projects about every 10 and a half minutes. It’s just not possible to engage in deep thought about a topic when we’re switching so rapidly.” 

Maryanne Wolf, a professor of child development at Tufts and author of Proust and the Squid: The Story and Science of the Reading Brain, points out that “No one really knows the ultimate effects of an immersion in a digital medium on the young developing brain….My greatest concern is that the young brain will never have the time (in milliseconds or in hours or in years) to learn to go deeper into the text after the first decoding, but rather will be pulled by the medium to ever more distracting information, sidebars, and now, perhaps, videos (in the new vooks).

“The child’s imagination and children’s nascent sense of probity and introspection,” Professor Wolf writes, “are no match for a medium that creates a sense of urgency to get to the next piece of stimulating information. The attention span of children may be one of the main reasons why an immersion in on-screen reading is so engaging, and it may also be why digital reading may ultimately prove antithetical to the long-in-development, reflective nature of the expert reading brain as we know it.“

“Techno-addiction is creating a generation of students with hypertrophied thumbs and atrophied intellects,” we wrote not long ago (Digital Distractions Producing a Generation of Morons?). The Times‘s Richtel has been hammering on this theme for  some time (in particular read his cogent article Growing Up Digital, Wired for Distraction) As our homes and schools become more and more committed to the romance the computer screen we need to pay attention to the warnings Richtel has been marshaling.

Can our addiction to media be cured? In a Sunday New York Times editorial, “The Joy of of Quiet“, Pico Iyer writes, “The central paradox of the machines that have made our lives so much brighter, quicker, longer and healthier is that they cannot teach us how to make the best use of them; the information revolution came without an instruction manual. All the data in the world cannot teach us how to sift through data; images don’t show us how to process images. The only way to do justice to our onscreen lives is by summoning exactly the emotional and moral clarity that can’t be found on any screen.Maybe that’s why more and more people I know, even if they have no religious commitment, seem to be turning to yoga, or meditation, or tai chi; these aren’t New Age fads so much as ways to connect with what could be called the wisdom of old age. Two journalist friends of mine observe an ‘Internet sabbath’ every week, turning off their online connections from Friday night to Monday morning, so as to try to revive those ancient customs known as family meals and conversation.”

Immersion into beauty, meaning and tranquility. It’s a start.

Richard Curtis