That says in a nutshell what many American corporate leaders are privately saying if not publicly admitting.  One leader who said it out loud was Apple’s Steve Jobs, and the person he said it to was Barack Obama. “Those jobs aren’t coming back,” Jobs reportedly said to the president at a Silicon Valley dinner in February 2011.

“The president’s question touched upon a central conviction at Apple,” write Charles Duhigg and Keith Bradsher in a penetrating New York Times analysis. “It isn’t just that workers are cheaper abroad. Rather, Apple’s executives believe the vast scale of overseas factories as well as the flexibility, diligence and industrial skills of foreign workers have so outpaced their American counterparts that ‘Made in the U.S.A.’ is no longer a viable option for most Apple products.”

The reason why is illustrated in a telling anecdote. “Apple had redesigned the iPhone’s screen at the last minute, forcing an assembly line overhaul,” Duhigg and Bradsher report. ” New screens began arriving at the plant near midnight.A foreman immediately roused 8,000 workers inside the company’s dormitories, according to the executive. Each employee was given a biscuit and a cup of tea, guided to a workstation and within half an hour started a 12-hour shift fitting glass screens into beveled frames. Within 96 hours, the plant was producing over 10,000 iPhones a day.”

Though the human price for such ant-like efficiency is dear – Apple’s Asian workers live in conditions close to indentured servitude – the moral downside of manufacturing success does not seem to tip the scales for American corporate leaders. “Companies once felt an obligation to support American workers, even when it wasn’t the best financial choice,” a Labor Department economist told the reporters. “That’s disappeared. Profits and efficiency have trumped generosity.”

Rather than wring their hands, American business and government leaders need to focus on the kinds of jobs that Americans can perform profitably – and with dignity – inside their national boundaries. If some domestic industries need subsidization by the government to be competitive, our lawmakers must channel support to them and even erect some tariff barriers. If that tilts our economy towards state socialism, so be it. It will balance the unfair advantage that many foreign governments have taken of America.

Details in How U.S. Lost Out on iPhone Work

Richard Curtis

“Sony once aimed its sights at being a big player in digital publishing,” writes Daniels. “It created its own ebook format,…was an early backer of the ePub format and of course introduced several eInk ereaders. It even entered into one of those ‘exclusive trade deals’ with UK retailer Waterstones. However it failed to deliver the list, did not develop a plausible platform and lost the eInk world to Kindle. Some five years on and how times have changed. Sony were around at the beginning of the digital reading chapter, but this may be one ebook that will remain unfinished and is in danger of slipping from the front list and going out of digital print.”

Daniels’ conclusion? “Its hard to see Sony making a comeback into digital publishing and its offer would require some serious investment and change of fortunes at a time when the business obviously requires to focus on its core operations.”

But Sony has replaced its CEO and we hope the new commander will set the ship on a profitable course once again, including the company’s e-book program.

Are Sony’s Days in E-Books Numbered?

Richard Curtis

That will be $9.99 plus tax, Mr. Bezos

This website tries not to traffic in rumors but the one that Michael Kozlowski, writing on trade blog G00d eReader, posted over the past weekend is too titillating not to mong (and yes, “mong” is a legitimate verb).

“Amazon sources close to the situation,” writes Kozlowski, “have told us that the company is planning on rolling out a retail store in Seattle within the next few months.”

Amazon’s purpose is to explore the profitability of physical bookstores, which would carry Amazon e-readers and related products, as well as books from the various Amazon imprints (but not likely anybody else’s). Though described as a “boutique,” it would undoubtedly be a cross between an Apple store and a Barnes & Noble superstore. “The company has already contracted the design through a shell company”, says Good eReader.

Not so fast, Kozlowski.

For one thing, the world of bricks and mortar is as far from the world of digital as the 18th century is from the 20th. Though Amazon’s automated warehouses are state of the art, bookstore retailing calls for many disciplines outside Amazon’s comfort zone.  More significant is Amazon’s aversion to paying taxes.  The company has moved heaven and earth to minimize state and local tax liabilities, something that will be all but impossible to achieve with physical stores.

So, for now we’ll relegate this story to the rumor bin.  But if there is any truth to be told we won’t hesitate to mong it.

Amazon in the Process of Launching a Retail Store

Richard Curtis

The big difference between the past and the present is that for the first time in history, printed books are optional. The implications of this fact are profound.

Until very recently the only mode for publishers to introduce content was print.  Printed books defined publishers. With the advent of digital technology, however, a new breed of publisher arose that can if it chooses publish a book originally in digital format and postpone the print edition or skip it altogether.  Well into the present decade traditional publishers like Random House and Simon & Schuster and Macmillan clung to the imperative to issue print volumes before releasing them as e-books.  Eventually they yielded to the exigency of releasing the e-book simultaneously with their print edition.  Issuing e-books without having to do print editions at all, however, is not a measure to be taken lightly.

One reason is commercial. Original e-books put traditional publishers at a serious competitive disadvantage. Whereas those houses currently pay 25% net royalty to authors, most independent e-book publishers pay at least twice that much, and self-published authors can get as much as 70% royalty by direct uploading of their content. The Hachettes and Harpers and Penguins can reason that they are adding value and brand-name prestige, but that argument doesn’t hold water for many authors who are simply in the game for money.

More significantly, by electing not to print a book at all, these so-called legacy publishers put themselves in danger of losing the very thing that defines them. What profiteth a publisher to gain the world and lose its soul? Today Random House is a completely different species from independent e-book publishers like Open Road.  But by becoming a pure e-book publisher, the playing field is leveled, and the difference between Random House and Open Road becomes simply one of scale.

When we talk about the death of printed books we are really talking about the death of printed books distributed in bookstores.  With the death of a Borders and the announced reduction of Barnes & Noble’s  bookstore floor space by 25%, print on demand, a business model that does not depend on store sales or the returnability of books the way traditional bookstores do, increasingly becomes an option. If publishers elect POD for all their books they will not only continue to make money from printed books but could potentially rescue their identities, and maybe their souls as well.

Richard Curtis

Though (full disclosure) my son is a reporter for The Daily, my enthusiasm for the app is completely independent.  I just happen to think it’s terrific. But don’t take my word for it – it’s the iPad’s third most popular app.

Though The Daily started out as a dedicated iPad application, it is now accessible on Android, but the eye-popping graphics play best on the iPad’s big bright touchcreen. Some fairly heavy-hitting advertisers like Verizon, IBM and BMW display their wares there.

“I think it is the future of print,” digitday quotes a media executive, an odd description since there isn’t a single drop of printer’s ink associated with the publication.  But that’s just the point: it delivers all the news, culture and entertainment of a printed newspaper or magazine, but the videos, popups, callouts and other dazzling graphics are exactly what the iPad was created for. If you don’t have one, borrow it, download a two-week free subscription and see for yourself.

By the way, I have dubbed The Daily a “zapp” – drawn from “news app” the way “blog” is derived from “web log”. I believe this term may be original with me and if it achieves wide circulation and enters the English language (Oxford English Dictionary are you listening?) I hope Rupert Murdoch will reward me liberally, or at least recognize me with an asterisked footnote in one of his, um, papers.

The Daily After One Year: Some Lessons Learned

Richard Curtis

“When Amazon’s sales reps call for an appointment to pitch their list,” we pointed out, “they may find the owners’ phones turned off.” (See Please Shut Off Your Cellphones. This is a Bookshop)”

They did. Barnes & Noble will not carry books published by Amazon’s publishing imprints.

“In a sharp answer to Amazon and its expanding publishing efforts,” writes the New York Times‘ Julie Bosman, “Barnes & Noble said on Tuesday that it would not sell books released by Amazon Publishing in its bookstores. The ban includes books released by New Harvest, a new imprint of Houghton Mifflin Harcourt that recently struck a deal to publish and distribute books released by Amazon Publishing’s unit based in New York.

“’Barnes & Noble has made a decision not to stock Amazon published titles in our store showrooms,’ Jaime Carey, the company’s chief merchandising officer, said in a statement. ‘Our decision is based on Amazon’s continued push for exclusivity with publishers, agents and the authors they represent. These exclusives have prohibited us from offering certain e-books to our customers. Their actions have undermined the industry as a whole and have prevented millions of customers from having access to content. It’s clear to us that Amazon has proven they would not be a good publishing partner to Barnes & Noble as they continue to pull content off the market for their own self interest.’”

B&N’s decision may impact negatively on the authors and their agents contemplating selling their authors to Amazon Publishing.

Though some publishing executives may take a measure of satisfaction that B&N, now the victim of Amazon’s aggressive marketing strategies, is paying dearly for its own predatory practices when it was the ruthlessly dominant bookseller of the twentieth century, consumers will rally around it and its more helpless independent bookstore cousins. Publishing industry old-timers like to say “What goes around comes around” and for Amazon it has come around.  We hope however that Amazon Publishing will itself come around – to an open policy of mutual cooperation in the fragile ecology called publishing.

Details in Barnes & Noble Won’t Sell Books From Amazon Publishing

Richard Curtis

KAIST Institute of Information Technology Convergence has applied for a patent for its Smart E-Book Interface. “The interface uses the private Apple API for the page flip,” writes Kelly Hodgkins on tuaw.com, “and turns it upside down and inside out. Not only do you get a beautiful page flip like the one in iBooks, you also get page flipping that lets you scan 20 or 30 pages at a time, multiple page flips that are controlled by the speed of your finger swipe, and a way to hold your thumb on one page and flip through the book with your fingers. You can see it in action in the video below to marvel at how the interface mimics the way most people flip the pages of a softcover book.”  Below is a cool demo of the interface.

What the interface seems perfectly suited for is boring books that you just want flip through in big chunks.

Is there any e-book that incorporates all the book-like sensory experiences in a single device?  The only one we can think of is the Flopatronic Fleeber. Check it out.

Richard Curtis

A number of recent exposés have penetrated the slick surface of electronic appliances and the revelations are pretty sickening. The New York Times‘s David Barboza reported on environmental abuses perpetrated by e-book and tablet manufacturers, and in particular Apple.

We have cited what happens to your Kindle, Nook, or iPad when the next generation of e-readers replaced them. “If what’s happening in Europe is any guideline,” we wrote “it will end up in a toxic e-waste landfill in Asia and Africa where the destitute, many of them children, will scavenge it for scrap. These scavengers incur horrifying and often fatal skin, lung, intestinal and reproductive organ ailments from the plastics, metals and gases that go into discarded cell phones, televisions, computers, keyboards, monitors, cables and similar e-scrap.” (See Getting Rid of E-Trash? Dump it on Asia’s Poor)

Just as we think more greenly about energy, it’s time to Think Green about our e-books.  Under pressure from investigative journalists, the secretive Apple corporation has for the first time made available its records concerning its suppliers, and the revelations confirm concerns about the company’s labor practices.  Apple audits, as Nick Winfield and Charles Duhigg reported in the New York Times, “revealed that 93 supplier facilities had records indicating that over half of workers exceeded a 60-hour weekly working limit. Apple said 108 facilities did not pay proper overtime as required by law. In 15 facilities, Apple found foreign contract workers who had paid excessive recruitment fees to labor agencies.And though Apple said it mandated changes at those suppliers, and some showed improvements, in aggregate, many types of lapses remained at general levels that have persisted for years.”

Though this was a good start, labor industry critics didn’t feel Apple’s “supplier responsibility progress report” went far enough, as some of the suppliers,  particularly subcontractors, were not easy to trace, and inadequate measures had been taken to regulate the either contractors or subcontractors. “In the last two years at companies supplying services to Apple, “the Times reporters state, “137 employees were seriously injured after cleaning iPad screens with n-hexane, a toxic chemical that can cause nerve damage and paralysis; numerous workers have committed suicide, or fallen or jumped from buildings in a manner suggesting suicide attempts; and in two separate explosions caused by dust from polishing iPad cases, four were killed and 77 injured.”

To its credit, Apple conducted many more audits in 2011 than previously, resulting in fewer violations, and joined the Fair Labor Association in an initiative to improve conditions for its workers.

Though Apple has taken the brunt of criticism, it is by no means the only manufacturer whose labor practices and environmental controls need to be examined. If similar problems are discovered at the factories where Kindles, Nooks, Sonys and other reading and computing devices are manufactured or where superannuated models are disposed of, the industry must take care of them and include the costs in their price structures even if it means that we have to pay more for our e-book readers.

Read Apple Lists Its Suppliers for 1st Time by Nick Winfield and Charles Duhigg.

Richard Curtis

One significant feature of iBooks2 is that it enables students to create their own books, enhance them with pictures, music, movies, videos, and texts from other sources and publish them, thus “inspiring kids to want to discover and want to learn,” as the Apple executive put it.

All well and good.  But isn’t it likely that the pictures, music, movies, videos, and texts from other sources published in these books will belong to somebody else?

These books will be published, uploaded into the iBooks store and sold there.  Unless the authors clear the rights to that content, such sales may be infringements of someone’s copyrights and Apple will be faced with the same kind of spamming that Kindle is combating.

Apple has the obligation to review the content it posts on the iPad and make sure that it does not infringe on the copyrights of others.  Will Apple have the time and manpower to police countless books and vooks, texts and theses? Not likely.  But surely they will not risk incurring liability for selling stolen goods.

If kids want to discover and learn, then the most important educational tool Apple could offer, as an adjunct to its iBooks2, is a primer on copyright. If Apple doesn’t instruct users on that fundamental legal principle, it will need to create an app for defending itself and its authors against copyright infringement lawsuits.

Richard Curtis

The reissue program will begin with fifteen titles, but E-Reads has an option to acquire the balance of Aldiss’s enormous output. The author is writing new introductions.

The deal was handled by John R. Douglas of E-Reads and Robin Straus of the Robin Straus Agency, Aldiss’s United States literary agent. Says Douglas, “I’ve been reading Aldiss for more than forty years and had the pleasure of working on the original publication of some of his works. It’s a privilege and delight to bring his books back as e-books. And to publish an original work of his – Finches of Mars – is a huge bonus.” Finches of Mars, Aldiss recently explained at a writers conference, is about a predominantly female colony on the red planet where some men are kept for reproductive purposes.

To read E-Reads’ press release in its entirety click here.

Brian Aldiss (photograph (c) Mike Gerson

E-Reads
171 East 74th Street
New York, NY 10021
www.ereads.com

January 17, 2012

For Immediate Release

E-Reads Acquires Brian Aldiss Backlist

E-Reads, a leading independent e-book publisher and a powerhouse in fantasy and science fiction, has acquired US e-book and print rights to fifteen titles by British science fiction Grandmaster Brian Aldiss, winner of two Hugo Awards, a Nebula Award and a John W. Campbell Memorial Award. Included in the trove are his Helliconia trilogy, the Squire quartet, and such other classics as Greybeard, Dark Light Years, and Galaxies like Grains of Sand. E-Reads will also publish a new work, Finches of Mars.

The reissue program will begin with fifteen titles, but E-Reads has an option to acquire the balance of Aldiss’s enormous output. The author is writing new introductions.

The deal was handled by John R. Douglas of E-Reads and Robin Straus of the Robin Straus Agency, Aldiss’s United States literary agent. Says Douglas, “I’ve been reading Aldiss for more than forty years and had the pleasure of working on the original publication of some of his works. It’s a privilege and delight to bring his books back as e-books. And to publish an original work of his – Finches of Mars – is a huge bonus.”

Brian Aldiss

Brian W. Aldiss (http://brianaldiss.co.uk/) was born in Norfolk, England in 1925. Over a long and distinguished writing career, he has published award-winning science, bestselling popular fiction including the three-volume Horatio Stubbs saga and the four-volume The Squire Quartet and many other iconic and pioneering works including the Helliconia Trilogy. His most famous story, Super-Toys Last All Summer Long, was adapted for film by Stanley Kubrick and produced and directed after Kubrick’s death by Steven Spielberg as A.I. Artificial Intelligence.

E-Reads

E-Reads (www.ereads.com), founded in 2000 by Richard Curtis, is a leading publisher of backlist fiction in such genres as fantasy, science fiction, romance, mysteries and thrillers. Brian Aldiss will be in the company of such masters of fantasy and science fiction published by E-Reads as Piers Anthony, Greg Bear, Jeff Bredenberg, Jeffrey Carver, John DeChancie, William C. Dietz, Dave Duncan, George Alec Effinger, Harlan Ellison, Alan Dean Foster, James Gunn, Fritz Leiber, R. A. McAvoy, John Norman, Rudy Rucker, Pamela Sargent, Dan Simmons and George Zebrowski.

For information, contact John Douglas, 212 772 7363, johnrjdouglas@gmail.com
Robin Straus, 212 472 3282, robin@robinstrausagency.com