A fierce debate about the role of literary agents has burst into flames. Agent Victoria Strauss has summed it up in a posting in Writer Beware entitled Are agents underpaid?

Those who are sympathetic towards the agents’ plight point out that “agents’ job descriptions have expanded over the past couple of decades, and that they must now do much more for the same 15% they earned twenty years ago.” writes Strauss. “They also get no payment at all for a good portion of what they do on a regular basis–reading queries and manuscripts, editing, submitting books that never sell. In a highly competitive environment, with shrinking advances (at the midlist level, anyway) and cautious publishers, it’s getting harder and harder to make a living.” (That’s putting it mildly.  See What Your Agent Has Done for You Lately.”)

A variety of remedies for suffering agents is being promulgated. One is to shift their compensation from a contingency basis to charging for billable hours the way lawyers do.  Another is charging for specific services that are now freely offered, such as editing, lecture and tour arrangements, marketing, promotional activities, website management, and social networking. Still others are setting up publication programs for clients who contemplate self-publication. Another answer is for agents to raise their commissions. About this option Strauss reminds us that “During the 1980s and 1990s, US agents raised their commissions from 10% to 15%; it seems to me that an increase to 20% could be undertaken with relatively minimal pain on all sides. This would acknowledge the ways in which agenting has changed and expanded, but wouldn’t unfairly burden writers.” (Strauss does not seem to have confirmed that with any authors.)

These are all viable alternatives, and some of them are being implemented as agents urgently strive to redefine themselves. Many of them will work. But will agents still be defined as agents as we know them today? Or are we witnessing the birth of a new species?

Years ago, in anticipation of the changing identity of authors in a digital paradigm, I asked the question “Author?  What’s an Author?” Implied in that question was another question: “Agent? What’s an Agent?” As the nature of authorship evolves, so will the nature of agentship. But a day will come when agents are unrecognizably transformed from the fearsome breed that tramped the Earth in the late 20th century. Which leads me to wonder if we’re asking the wrong question. It’s not “Are agents underpaid?” but rather, Are agents doomed?

The inescapable fact is that agents are intermediaries in a disintermediating world, and digital technology is remorseless in its dissolution of those who stand between buyer and seller. The chasm between writers and publishers, for so long occupied by literary agents, has narrowed as authors realize that they are but one touch of their Send key away from their readers.

That depressing but inescapable truth should be borne in mind as you read Strauss’s Are Agents Underpaid? and the equally thought-provoking response by Jane Friedman, Director of Content & Community Development at Writer’s Digest, entitled Agents Need to Develop Alternative Models.

Richard Curtis