E-Reads™ is
...a trail-blazing reprinter of out-of-print genre and general fiction and nonfiction by leading authors. Our books are available in all e-book formats and paperback. Read the latest publishing news and provocative blogs by top commentators in the traditional and digital publishing fields.

Empress of Light
James C. Glass
In this sequel to SHANJI, Kati has used the light of creation to win a war bringing her to the throne as Empress of her planet, and she has forged new alliances with former enemies. Her daughter Yesui is born w...


Hôtel Transylvania
Chelsea Quinn Yarbro
Since 1978, Chelsea Quinn Yarbro has produced about two dozen novels and numerous short stories detailing the life of a character first introduced to the reading world as Le Comte de Saint-Germain. We first mee...

Mother's Choice
Elizabeth Mansfield
It's a Mother's Duty To Protect Her Daughter
Cassandra Beringer would never allow her daughter Cicely to repeat her mistake and marry a man twenty years her senior--even if he is the handsome Viscount Inge...


Pock's World
Dave Duncan
In this thrilling story of adventure and suspense by master storyteller Dave Duncan, five flawed individuals must decide the fate of an entire world.
On the outskirts of the Ayne Sector sits Pock’s Worl...

Time Slave
John Norman
Dr. Brenda Hamilton--a Ph.D. mathematician from Cal Tech--is beautiful, though she does not know her true beauty. She is a woman, though she does not know her true womanhood. Deep within herself she is sensu...


Sunday in Hell: Pearl Harbor Minute by Minute
Bill McWilliams
Using long established historical records and contemporary journals as well as recently-released war-time documents, Bill McWilliams has created a brand-new minute-by-minute narrative of the Day that Will ...

Lord of the Fire Lands
Dave Duncan
Raider and Wasp have spent five years at Ironhall studying to become Blades, expert swordsmen whose talents stand unmatched. Magic both enhances the Blades' fighting skills and binds them in lifelong duty....


Miscalculations
Elizabeth Mansfield
His Woman Of Affairs
Jane Douglas had a sharp wit, a brilliant mind, and an extraordinary knack for numbers. As financial advisor to Lady Martha Kettering, she was able to provide for herself, her sister ...

The Girl With the Persian Shawl
Elizabeth Mansfield
An Arrogant Spinster, a Dashing Rake, and an Unsigned Painting
The Girl With Persian Shawl was a strangely bewitching masterpiece that had hung in the Rendell household for generations. Kate Rendell graci...


A Thousand Deaths
George Alec Effinger
While George Alec Effinger’s Budayeen novel WHEN GRAVITY FAILS is perhaps his most famous work, his lesser known novel THE WOLVES OF MEMORY remained his favorite. In it, he introduced readers to Sandor Couran...
FEATURED TITLES

People of the Sky
Clare Bell
Old technology survives and even thrives on the challenges of a new planet populated by ancient human spirits.
Kesbe Temiya, a freelance flyer, accepts a commission to deliver an ancient-but-restored C-47 ...

The Coroner's Lunch
Colin Cotterill
Dr. Siri Paiboun, one of the last doctors left in Laos after the Communist takeover, has been drafted to be national coroner. He is untrained for the job, but this independent 72-year-old has an outstanding ...


Surrender in Moonlight
Jennifer Blake
Jennifer Blake, one of America's romance queens, once again conquers readers with a scintillating tale of love and treachery. From the bloody battlefields of the Civil War-torn South to the lush and exotic isl...

Kampus
James Gunn
The college of the future has just one purpose: endless battle. Political organizations urge ruthless combat with an invisible opponent and each student is challenged to be more extreme than the rest. One ma...


The Stricken Field
Dave Duncan
Paranoid but almighty, the sorcerer Xinixo had seized control of the Impire. But ruling the imps and most of the world was not enough. He would never feel safe until he was universally loved, so he would sma...

The Beast That Shouted Love at the Heart of the World
Harlan Ellison
"It crouches near the center of creation. There is no night where it waits. Only the riddle of which terrible dream will set it loose. It beheaded mercy to take possession of that place. It feasts on darkn...


A Land Called Deseret
Janet Dailey
Every novel in this collection is your passport to a romantic tour of the United States through time-honored favorites by America’s First Lady of romance fiction. Each of the fifty novels is set in a differ...

Christmas Moon
Elizabeth Lane
Anything can happen under a Christmas Moon...
Pregnant, unwed and down on her luck, history teacher Emma Carlyle is facing the worst Christmas of her life. Needing some research for her master’s thesis...


The Road to Victory
David Colley
The Red Ball Operation, the vital train of supplies improvised by American troops during the invasion of Europe, was one of the GIs' bravest exploits, without which World War II would have dragged on at a ter...

War Surf
M. M. Buckner
What would you do if you were rich, bright, vigorous, virtually immortal—and nearly bored to death?
You’d invent a thrill sport…
"An Innovative and exciting read. A treat."
– C.J. Cherryh...


After the Storm
Janet Dailey
Every novel in this collection is your passport to a romantic tour of the United States through time-honored favorites by America’s First Lady of romance fiction. Each of the fifty novels is set in a diffe...

Imaginative Sex
John Norman
With 53 Detailed Scenarios for Sensual Fantasies and a Revolutionary New Guide to Male-Female Relations.
In 1974, the author of the controversial and popular
Gor novels revealed his vision for ...


Tarnsman of Gor
John Norman
Tarl Cabot has always believed himself to be a citizen of Earth. He has no inkling that his destiny is far greater than the small planet he has inhabited for the first twenty-odd years of his life. One frost...
A fierce debate about the role of literary agents has burst into flames. Agent Victoria Strauss has summed it up in a posting in Writer Beware entitled Are agents underpaid?
Those who are sympathetic towards the agents’ plight point out that “agents’ job descriptions have expanded over the past couple of decades, and that they must now do much more for the same 15% they earned twenty years ago.” writes Strauss. “They also get no payment at all for a good portion of what they do on a regular basis–reading queries and manuscripts, editing, submitting books that never sell. In a highly competitive environment, with shrinking advances (at the midlist level, anyway) and cautious publishers, it’s getting harder and harder to make a living.” (That’s putting it mildly. See What Your Agent Has Done for You Lately.”)
A variety of remedies for suffering agents is being promulgated. One is to shift their compensation from a contingency basis to charging for billable hours the way lawyers do. Another is charging for specific services that are now freely offered, such as editing, lecture and tour arrangements, marketing, promotional activities, website management, and social networking. Still others are setting up publication programs for clients who contemplate self-publication. Another answer is for agents to raise their commissions. About this option Strauss reminds us that “During the 1980s and 1990s, US agents raised their commissions from 10% to 15%; it seems to me that an increase to 20% could be undertaken with relatively minimal pain on all sides. This would acknowledge the ways in which agenting has changed and expanded, but wouldn’t unfairly burden writers.” (Strauss does not seem to have confirmed that with any authors.)
These are all viable alternatives, and some of them are being implemented as agents urgently strive to redefine themselves. Many of them will work. But will agents still be defined as agents as we know them today? Or are we witnessing the birth of a new species?
Years ago, in anticipation of the changing identity of authors in a digital paradigm, I asked the question “Author? What’s an Author?” Implied in that question was another question: “Agent? What’s an Agent?” As the nature of authorship evolves, so will the nature of agentship. But a day will come when agents are unrecognizably transformed from the fearsome breed that tramped the Earth in the late 20th century. Which leads me to wonder if we’re asking the wrong question. It’s not “Are agents underpaid?” but rather, Are agents doomed?
The inescapable fact is that agents are intermediaries in a disintermediating world, and digital technology is remorseless in its dissolution of those who stand between buyer and seller. The chasm between writers and publishers, for so long occupied by literary agents, has narrowed as authors realize that they are but one touch of their Send key away from their readers.
That depressing but inescapable truth should be borne in mind as you read Strauss’s Are Agents Underpaid? and the equally thought-provoking response by Jane Friedman, Director of Content & Community Development at Writer’s Digest, entitled Agents Need to Develop Alternative Models.
Richard Curtis
With Amazon DTP, are publishers doomed?
With p2p, is Amazon DTP doomed?
(note it is possible to implement a paying system in ePub and other ebook formats, because they support links)
Thanks for the link. Just to correct–I’m not an agent, merely an author.
I’ve been working on my manusript (my 1st) for a little over three years. I’ve got a list of literary agents that I like and hope to send my manuscript to. If literary agents are hurting because of technology then what’s the best way to approach a literary agent who may lack in clients? I want to follow all the right steps to getting published and selling my book. I’m not the “easy way out” kind of person. I want to work to achieve my dreams.
To comment further…as a struggling member of the midlist, I’m not happy about the idea of my agent taking a bigger bite of my meager earnings.
However, most of the money-making alternatives that have been proposed–billing for hours, establishing publishing ventures, charging fees for services to non-clients, even bringing back reading and other fees charged to clients–either unfairly disadvantage writers with fewer financial resources, or pose serious conflict-of-interest issues (and also, in the absence of any official oversight or regulation of literary agents’ activities, potentially open the door to abuse). For me, those are huge concerns. As unpalatable as a commission increase is, I think that of all the possibilities, it presents the fewest ethical ambiguities.
Are agents doomed? I don’t know. But the idea that writers are just a click of the mouse away from their audiences is a fantasy. Even if nothing stands between me and my buyer, this does me no good at all if my buyer doesn’t know I exist (and with the droves of writers turning to self-publishing, the problem is only going to get worse). In a disintermediating world, writers need intermediaries more desperately than ever.
“agents’ job descriptions have expanded over the past couple of decades, and that they must now do much more for the same 15% they earned twenty years ago.”
Very true, but the same can be said for authors now being responsible for much of their own promoting. E-outreach, though effective, can suck entire days out of an author’s work week. (not complaining, mind you
@ Victoria Strauss Thank you for amplifying on your original posting (and apologies for mischaracterizing you as an agent – no insult intended!!!). I absolutely agree with you that writers need agents more than ever before. It’s just that the job definition keeps bending, and I worry that one day it will break.
RC
:smiles @ victoria:
While I am leery of reading fees (there being so many scams out there), there is also the issue of why should an author whose work warrants representation be paying (through higher commissions to the agent) for other writers to have the opportunity to have their material read? if I rite lyke this, due u want to subsidyze me?
Perhaps the AAR should reconsider its stance on at least modest reading fees. As with all agents and publishers an author might approach, the author must be knowledgeable in spotting scams and with the common practice of allowing electronic submissions (eliminating paper, packaging and mailing costs), the net cost to an author over historic net costs probably wouldn’t change that much. Lower quality submissions would probably go down, potentially speeding up response times (or guaranteeing response times) and those interested in a publishing career and having the talent to back it up would get beyond these small bars of modest reading fees (as, opposed to, e.g., coughing up $1,500 for vanity publishing).
As an indie author (definition: writer who connects directly to readership via e-technology)I have long held the view that not alone agents but traditional publishers and retailers are on the way out.
What the indie author needs is a vehicle to distribute and market his/her ebooks.
The distribution end of the business is fairly healthy – my ebooks are available across multiple platforms – Amazon, Sony ebookstore, Smashwords, Barnes and Noble, Google books, Memoware and many others. It is the marketing problem that presents opportunities to those who can add value to the ebook chain. Some distributers are providing some service here but it seems that the main load falls on the indie author to promote the work.
Maybe some idle agent will come up with some solution to this dilemma?
@ Kim Harrison – Absolutely. If Tolstoy had to manage a website he’d never have finished War and Peace.
RC
@ desgreene – You’re either idle or you’re an agent, but you can’t be both.
Seriously, distribution for authors and publishers is the heart of the problem of achieving recognition. Someone will come up with a solution, but I doubt if it will be an agent.
RC
I think the answer to whether “agents are doomed” depends on the answer to your question, “what’s an agent?”
Personally, I don’t think agents are doomed at all. I think they will have to reinvent their role. Or a better way of looking at it may be they’ll have to go back to their roots.
To me, an agent’s most important role is as an author advocate. They are indispensable for negotiating rights, interpreting contract legalese, and managing bidding wars between publishers. All the extra work–sifting through the slushpile, editing, marketing–has been forced on them by the publisher.
So, what happens when e-books become predominant? Publishers will be able to see which e-books sell well and acquire them for print. They will no longer need agents to sift through mountains of submissions for them. However, authors will still need agents to negotiate contracts with those publishers. I know I will want one.
If there are no agents then who are the gatekeepers protecting readers from utter self-published shite and quality books? No … I don’t think agents are going anywhere anytime soon. They perform a valued service as the gatekeepers to the large publishing houses.
I think I can understand what agents are going through. I worked as a sales rep for several years during a time when more responsibilities were piled on by management and several reps quit and were not replaced. My job consisted of lots of activities which didn’t earn me any money and some that cost money, but were all done with the hope of drumming up more business. Conferences, cold-calling, networking, writing quotes, and following up on quotes didn’t always directly yield sales or income, but they were a necessary part of the sales pipeline.
I’m not trying to say agents should or shouldn’t charge extra or adjust their fees. Only that they’re not the only ones taking on larger territories, more clients, and putting out more fires in order to stay alive.
Keep up the good fight, and hopefully it all works out in the end.
-NGD
A good multi-tasking agent who knows the publishing business and is current with the newest technology is worth 20 percent. (I’m a novelist.)
@ Sue Harrison – Don’t give me any ideas!
Richard
@ Sue Harrison – I’d have to agree with you. How about if the agent gets involved with internet marketing?