E-Reads™ is
...a trail-blazing reprinter of out-of-print genre and general fiction and nonfiction by leading authors. Our books are available in all e-book formats and paperback. Read the latest publishing news and provocative blogs by top commentators in the traditional and digital publishing fields.

Thin Air
George E. Simpson
It's a mystery that dates back to World War II--what happened to the USS Sturman and its crew. For Naval Investigator Nicholas Hammond, the search will challenge him…and the answers will, like bodies floa...


Shadow of Ashland
Terence M. Green
“THE BOOK YOU HAVE TO READ”–Entertainment Weekly
"Things have to be settled, or they never go away."
Only weeks before she dies in March, 1984, Leo Nolan’s mother shows her son a rose she says w...

The Longest Way Home
Robert Silverberg
"What wonders and adventures he has to tell us," is how Ursula K. LeGuin characterized the world of Robert Silverberg, and in The Longest Way Home, he takes readers on another dazzling odyssey.
Joseph, ju...


Marriage Is a Bad Habit
Ruth Dickson
When Ruth Dickson released her 1967 book MARRIED MEN MAKE THE BEST LOVERS, it went off like a bombshell. Defenders of the “sanctity” of marriage rose up to dismiss her frank, innovative, thoroughly resear...

Orion's Dagger
Paula Downing King
With ORION’S DAGGER, Paula E. Downing presents the thrilling final installment of THE CLOUDSHIPS OF ORION trilogy, which Starlog magazine called “special...a thoroughly engrossing story.” The trio wa...


Fair Warning
George E. Simpson
America is set to finally end World War II with a devastating act--dropping the atomic bomb over Japan. But what if a secret mission was set in place to alter the course of history? In this fast-paced, and i...

Rogues of the Black Fury
Travis Heermann
When a band of shadowy fanatics abducts Javin Wollstone’s little sister, Bella, from his care, his only hope to bring her home is turning to a hard-bitten band of special warriors, the Black Furies, led by C...


The Sudden Star
Pamela Sargent
The appearance of a white star bathing the world in a deadly glare turns Earth into a nightmare of fear and death. Rape and murder are as common as suicide. Medical help is allowed only for certain diseases, a...

Philosophy and the Challenge of the Future
John Lange
The sciences, as opposed to politics and religion, have their roots in philosophy. Philosophy has been spoken of as the mother of the sciences, although she is, in many cases, more of a grandmother or grea...


The Man in the Moon Must Die
Jeff Bredenberg
What do a cunning old man, a code-slopper gone rogue, a pair of lowlife tech-runners, a sexually frustrated AI, and a hermaphrodite underworld boss have in common? They're all out to get Benito Funcitti, ow...
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Castle for Rent
John DeChancie
Who will claim the throne now that Lord Incarnadine, King of the Realms Perilous, is dead? Under a mysterious spell cast by a mischief-maker, all of Castle Perilous's 144,000 creatures of curiosity clamor f...

Everybody Had A Gun
Richard S. Prather
Shell Scott. He's a guy with a pistol in his pocket and murder on his mind. The crime world's public enemy number one, this Casanova is a sucker for a damsel in distress. When a pair of lovely legs saunters ...


The Listeners
James Gunn
After fifty-one long years of patient waiting, the message has finally arrived. They have dedicated their lives to trying to decipher the eerie silence that resounds from space and now there is finally a so...

Walker's Widow
Heidi Betts
Between Heaven and Hell lies Purgatory, Texas--a town with too few saints ... and too many sinners.
TO CATCH A THIEF
Clayton Walker had been sent to Purgatory…but it felt more like hell. Assign...


Aspen Gold
Janet Dailey
Kit Masters, born and brought up on an Aspen ranch, left to pursue an acting career in Hollywood but she is a woman with a strong sense of family, loyalty, and integrity and had deep ties to the land where ...

Rewind
Terry D. England
“I am Aaron Lee Fairfax. I am forty-three years old. I am married to Janessa, but she wants a divorce. I work for Thagg, Morgan, and Edwards Brokerage Group in Kansas City, Missouri. I own a Maserati.”


Child of the Dawn
Clare Coleman
From Jean M. Auel's THE CLAN OF THE CAVE BEAR to Linda Lay Shuler's SHE WHO REMEMBERS, novels set among pre-historic cultures have shown a very strong appeal to readers of all types from fans of genre fantas...

Heiress
Janet Dailey
In Heiress, two sisters meet at the funeral of one of the most prestigious men in the country, Dean Lawson, their father. Abbie Lawson, the dutiful genteel daughter bred in the lap of luxury and, Rachel Farr, ...


The Battle of Anzio
T.R. Fehrenbach
The Battle of Anzio was among the most bloody of the World War II conflicts. T.R. Fehrenbach's accurate account stunningly depicts the reality of the Allied forces' fight for survival on an Italian beach as t...

Dangerous Games
Michael Prescott
Maverick FBI special agent Tess McCallum (nicknamed "Super Fed" by an adoring media) (the central investigator in previous novel, Next Victim) is back and she’s got a new partner, one she doesn’t wa...


Goodbye Natalie, Goodbye Splendour
Marti Rulli
REVISED EDITION with new updates and additional information not included in the original hardcover release!
GOODBYE NATALIE, GOODBYE SPLENDOUR is the long-awaited, detailed account of events that led to the...

Midsummer Moon
Laura Kinsale
All the king's horses and all the king's men could not surpass the intellect and beauty of Merlin Lambourne. As the infamous Napoleon's deadly army grows ever closer, Lord Ransom Falconer frantically search...


Mastering the Business of Writing
Richard Curtis
One of the most comprehensive guides currently on the market, MASTERING THE BUSINESS OF WRITING is an insider's guide to the business of being a professional writer. All aspects of the publishing industry ar...
A fierce debate about the role of literary agents has burst into flames. Agent Victoria Strauss has summed it up in a posting in Writer Beware entitled Are agents underpaid?
Those who are sympathetic towards the agents’ plight point out that “agents’ job descriptions have expanded over the past couple of decades, and that they must now do much more for the same 15% they earned twenty years ago.” writes Strauss. “They also get no payment at all for a good portion of what they do on a regular basis–reading queries and manuscripts, editing, submitting books that never sell. In a highly competitive environment, with shrinking advances (at the midlist level, anyway) and cautious publishers, it’s getting harder and harder to make a living.” (That’s putting it mildly. See What Your Agent Has Done for You Lately.”)
A variety of remedies for suffering agents is being promulgated. One is to shift their compensation from a contingency basis to charging for billable hours the way lawyers do. Another is charging for specific services that are now freely offered, such as editing, lecture and tour arrangements, marketing, promotional activities, website management, and social networking. Still others are setting up publication programs for clients who contemplate self-publication. Another answer is for agents to raise their commissions. About this option Strauss reminds us that “During the 1980s and 1990s, US agents raised their commissions from 10% to 15%; it seems to me that an increase to 20% could be undertaken with relatively minimal pain on all sides. This would acknowledge the ways in which agenting has changed and expanded, but wouldn’t unfairly burden writers.” (Strauss does not seem to have confirmed that with any authors.)
These are all viable alternatives, and some of them are being implemented as agents urgently strive to redefine themselves. Many of them will work. But will agents still be defined as agents as we know them today? Or are we witnessing the birth of a new species?
Years ago, in anticipation of the changing identity of authors in a digital paradigm, I asked the question “Author? What’s an Author?” Implied in that question was another question: “Agent? What’s an Agent?” As the nature of authorship evolves, so will the nature of agentship. But a day will come when agents are unrecognizably transformed from the fearsome breed that tramped the Earth in the late 20th century. Which leads me to wonder if we’re asking the wrong question. It’s not “Are agents underpaid?” but rather, Are agents doomed?
The inescapable fact is that agents are intermediaries in a disintermediating world, and digital technology is remorseless in its dissolution of those who stand between buyer and seller. The chasm between writers and publishers, for so long occupied by literary agents, has narrowed as authors realize that they are but one touch of their Send key away from their readers.
That depressing but inescapable truth should be borne in mind as you read Strauss’s Are Agents Underpaid? and the equally thought-provoking response by Jane Friedman, Director of Content & Community Development at Writer’s Digest, entitled Agents Need to Develop Alternative Models.
Richard Curtis


With Amazon DTP, are publishers doomed?
With p2p, is Amazon DTP doomed?
(note it is possible to implement a paying system in ePub and other ebook formats, because they support links)
Thanks for the link. Just to correct–I’m not an agent, merely an author.
I’ve been working on my manusript (my 1st) for a little over three years. I’ve got a list of literary agents that I like and hope to send my manuscript to. If literary agents are hurting because of technology then what’s the best way to approach a literary agent who may lack in clients? I want to follow all the right steps to getting published and selling my book. I’m not the “easy way out” kind of person. I want to work to achieve my dreams.
To comment further…as a struggling member of the midlist, I’m not happy about the idea of my agent taking a bigger bite of my meager earnings.
However, most of the money-making alternatives that have been proposed–billing for hours, establishing publishing ventures, charging fees for services to non-clients, even bringing back reading and other fees charged to clients–either unfairly disadvantage writers with fewer financial resources, or pose serious conflict-of-interest issues (and also, in the absence of any official oversight or regulation of literary agents’ activities, potentially open the door to abuse). For me, those are huge concerns. As unpalatable as a commission increase is, I think that of all the possibilities, it presents the fewest ethical ambiguities.
Are agents doomed? I don’t know. But the idea that writers are just a click of the mouse away from their audiences is a fantasy. Even if nothing stands between me and my buyer, this does me no good at all if my buyer doesn’t know I exist (and with the droves of writers turning to self-publishing, the problem is only going to get worse). In a disintermediating world, writers need intermediaries more desperately than ever.
“agents’ job descriptions have expanded over the past couple of decades, and that they must now do much more for the same 15% they earned twenty years ago.”
Very true, but the same can be said for authors now being responsible for much of their own promoting. E-outreach, though effective, can suck entire days out of an author’s work week. (not complaining, mind you
@ Victoria Strauss Thank you for amplifying on your original posting (and apologies for mischaracterizing you as an agent – no insult intended!!!). I absolutely agree with you that writers need agents more than ever before. It’s just that the job definition keeps bending, and I worry that one day it will break.
RC
:smiles @ victoria:
While I am leery of reading fees (there being so many scams out there), there is also the issue of why should an author whose work warrants representation be paying (through higher commissions to the agent) for other writers to have the opportunity to have their material read? if I rite lyke this, due u want to subsidyze me?
Perhaps the AAR should reconsider its stance on at least modest reading fees. As with all agents and publishers an author might approach, the author must be knowledgeable in spotting scams and with the common practice of allowing electronic submissions (eliminating paper, packaging and mailing costs), the net cost to an author over historic net costs probably wouldn’t change that much. Lower quality submissions would probably go down, potentially speeding up response times (or guaranteeing response times) and those interested in a publishing career and having the talent to back it up would get beyond these small bars of modest reading fees (as, opposed to, e.g., coughing up $1,500 for vanity publishing).
As an indie author (definition: writer who connects directly to readership via e-technology)I have long held the view that not alone agents but traditional publishers and retailers are on the way out.
What the indie author needs is a vehicle to distribute and market his/her ebooks.
The distribution end of the business is fairly healthy – my ebooks are available across multiple platforms – Amazon, Sony ebookstore, Smashwords, Barnes and Noble, Google books, Memoware and many others. It is the marketing problem that presents opportunities to those who can add value to the ebook chain. Some distributers are providing some service here but it seems that the main load falls on the indie author to promote the work.
Maybe some idle agent will come up with some solution to this dilemma?
@ Kim Harrison – Absolutely. If Tolstoy had to manage a website he’d never have finished War and Peace.
RC
@ desgreene – You’re either idle or you’re an agent, but you can’t be both.
Seriously, distribution for authors and publishers is the heart of the problem of achieving recognition. Someone will come up with a solution, but I doubt if it will be an agent.
RC
I think the answer to whether “agents are doomed” depends on the answer to your question, “what’s an agent?”
Personally, I don’t think agents are doomed at all. I think they will have to reinvent their role. Or a better way of looking at it may be they’ll have to go back to their roots.
To me, an agent’s most important role is as an author advocate. They are indispensable for negotiating rights, interpreting contract legalese, and managing bidding wars between publishers. All the extra work–sifting through the slushpile, editing, marketing–has been forced on them by the publisher.
So, what happens when e-books become predominant? Publishers will be able to see which e-books sell well and acquire them for print. They will no longer need agents to sift through mountains of submissions for them. However, authors will still need agents to negotiate contracts with those publishers. I know I will want one.
If there are no agents then who are the gatekeepers protecting readers from utter self-published shite and quality books? No … I don’t think agents are going anywhere anytime soon. They perform a valued service as the gatekeepers to the large publishing houses.
I think I can understand what agents are going through. I worked as a sales rep for several years during a time when more responsibilities were piled on by management and several reps quit and were not replaced. My job consisted of lots of activities which didn’t earn me any money and some that cost money, but were all done with the hope of drumming up more business. Conferences, cold-calling, networking, writing quotes, and following up on quotes didn’t always directly yield sales or income, but they were a necessary part of the sales pipeline.
I’m not trying to say agents should or shouldn’t charge extra or adjust their fees. Only that they’re not the only ones taking on larger territories, more clients, and putting out more fires in order to stay alive.
Keep up the good fight, and hopefully it all works out in the end.
-NGD
A good multi-tasking agent who knows the publishing business and is current with the newest technology is worth 20 percent. (I’m a novelist.)
@ Sue Harrison – Don’t give me any ideas!
Richard
@ Sue Harrison – I’d have to agree with you. How about if the agent gets involved with internet marketing?